Palazzo Corner della Regina

History

The present white palace facade, bedecked with columns on the two top floors, was designed by Giuseppe Sardi in the second half of the 17th century, while the palace was reconstructed in 1724 by Domenico Rossi. The lower story has a sturdy brick-like pattern of ashlar stone masonry. The lower doors and windows are surmounted by grotesque-like masks that serve as waterspouts, hence can be called gargoyles. The upper floors have balconies with balustrades. In the upper floor, the balcony window-doors have triangular pediments. The main floor or piano nobile has tall window-doors with a rounded top and helmeted female busts at the keystone.

The palace hosted the last of the Corner, a priest, until 1800, when the palace was willed to the Papal authorities, who ceded the palace to the Congregation of the Schools of Charity (Cavanis Institute) to establish a school. It subsequently became the city's Monte de Pieta.

The palace now houses the History Archives of the Contemporary Art Exhibition of the Biennale di Venezia, as well as having display space for the Fondazione Prada. The piano nobile frescoes were commissioned by a Caterino Cornaro, a distant descendant of the famous queen, and completed by Constantino Cedini, Vincenzo Colomba and Domenico Fossati; they depict a series of episodes from Queen Caterina Cornaro's life.