Bergomi Palace

History

The origin of the palace, which once belonged to the Buffali family, is not known with certainty, but some documents kept in the archives of the Congregation of Charity of Modena, record the presence in the mid of 15th century of a rich family of notaries called Sàssoli de 'Bergami, that is, originating in the city of Bergamo, of which later they took and kept their surname (Bergami or Bergomi). The noble family was raised to the title of Counts by the House of Pico, and the most prominent members of the family were the medician-philosopher Cristoforo Bergomi, pupil of Antonio Cittadini from Faenza, and the literary canon Giuseppe Bergomi.

An anonymous chronicler described a firefight under the portico of the palace in 1518 between the Mirandola followers of Giovanni Francesco II Pico della Mirandola and the agreed followers of Galeotto II Pico:

They met under the portico of Bergami in Borgonovo and were at the hands together shouting one part: - Francesco, Francesco - and the other: - Galeotto, Galeotto - and began those of Concordia, hidden behind the columns, to shoot snapped with those of the Earth who little by little losing the field withdrew right to the fortress to wait for the day, having equipped the wall with people in the hope that in the new light would have their enmities in cages and in prison.

The palace is then mentioned in a notary deed of 1 July 1611, in which Prince Alexander I Pico, eager to establish a cathedral in the city of Mirandola (which at the time still depended from the Parish Church of Quarantoli), undertook to pay the sum of 150 scudi per year to some members of the Society of Jesus, so that they would settle in the Collevati palace, that was to the Bergomi palace.

The portico of the palace remained open for a long time, given the successive undercurves made in ancient times to stabilize the building, but was later closed in an unspecified time to create spaces for shops.

In 1638 Alessandro Bergami, the last childless descendant of the family, ordered in his will that the ancient palace be transformed into his memory in the Alexandrian Convent, to be used as a monastery of the Capuchin nuns, but the palace was not considered suitable. After being rejected also by the Dominican friars, the palace became the seat of the Servite Fathers from 12 August 1675 until 1768. …

Architecture

The palace is characterized by Renaissance forms inspired by Lombard and Ferrara architecture.

On the ground floor there is a high portico with nine round arches (five on the side of the square and four on the southern facade).

The two exposed brick facades of the main floor are each decorated with three and a half biforas and are decorated with terracotta tiles with Renaissance floral motifs due facciate in mattone a vista del piano nobile sono decorate ognuna da trei.

The top floor is characterized by 13 small monoforas, also decorated with terracotta ornaments.