Ognissanti Church

History

It was completed originally during the 1250s. Around 1627, the church was almost completely rebuilt in Baroque-style by the architect Bartolomeo Pettirossi. Soon after that, a new façade (1637) was erected using designs by Matteo Nigetti, that conserved the glazed terracotta lunette above the doorway that, while resembling the work of Della Robbia, now is attributed to Benedetto Buglioni. Ognissanti was among the first examples of Baroque architecture to penetrate this city during the Renaissance. Its three reversed orders of pilasters enclose niches and windows with elaborate cornices. To the left of the façade is a campanile of thirteenth and fourteenth century construction.

The Umiliati, by the dedication and probity of the lay brothers and sisters, gained a reputation in Florence, and dedicated works of art began to accumulate in their severely simple church. For example, Giotto's celebrated Madonna and Child with angels (c. 1310) was painted for the high altar. A twenty-first century project to clean the Crucifix now in the left transept has led to this work being attributed to Giotto also.

During the sixteenth century, the Umiliati declined in power. In 1571, the Franciscan order assumed control of the church. They were able to bring to the church precious relics, such as a robe of St Francis of Assisi.

In the early seventeenth-century, the interior was remodeled in Baroque style and the apse was rebuilt with a pietre dure high altar and a sotto in su perspective painting (1770) on the vaulted nave ceiling. Fifteenth-century frescoes by Domenico Ghirlandaio and Sandro Botticelli were preserved in the nave; Botticelli is buried in the church near his beloved Simonetta Vespucci. Botticelli's fresco of St. Augustine in His Study faces across the nave of the chapel with Ghirlandaio's St. Jerome in His Study; both were executed contemporaneously in 1480.

Ghirlandaio also frescoed a version of the Last Supper in the refectory that is located between the two cloisters and now is a museum. This fresco likely influenced Leonardo da Vinci's later work in Milan. …