Teatro delle Dame

History

The theatre was built by Antonio D'Alibert for the performance of opera seria. It was a project long planned by his father Jacques D'Alibert (1626–1713) who had been the secretary to Queen Christina of Sweden and had managed the Teatro Tordinona. The Teatro Tordinona was Rome's first public theatre but was demolished in 1697 on the orders of Pope Innocent XII who considered public theatres a corrupting influence on the populace.

The Teatro Alibert (as it was then called) was constructed in wood on a piece of land formerly used for playing pallacorda (a game similar to real tennis). According to the Italian theatre historian Saverio Franchi, the architect supervising the construction was probably Matteo Sassi (1646–1723). When it was inaugurated in 1718 with the premiere of Francesco Mancini's opera Alessandro Severo, the Teatro Alibert was the largest theatre in Rome with seven tiers of 32 boxes each. In 1720 Francesco Galli Bibiena enlarged and redesigned the interior, reshaping the auditorium into a "phonetic curve" (midway between a rectangle and a horseshoe).

The theatre was an artistic success but not a financial one. Matters were not helped by the Jubilee Year of 1725 when all Roman theatres were closed for the duration. Antonio D'Alibert went bankrupt and the Roman authorities put the theatre up for auction in 1726. It was bought by a consortium of Roman nobility and renamed the Teatro delle Dame. The theatre's management eventually passed to the Knights of Malta, with whom some members of the consortium had close links. The order was to maintain control of the theatre until well into the 19th century. In the mid-1730s, the building underwent extensive renovation and embellishment designed by the architect Ferdinando Fuga and reopened in 1738 with a performance of Nicola Logroscino's opera Quinto Fabio. …

Opera premieres

Throughout most of the 18th century, women were forbidden to perform on stage in the Papal States. During that period operas were sung at the Teatro delle Dame by all-male casts with castrati singing the female roles. Amongst the famous castrato singers to appear there were Farinelli, Giacinto Fontana ("Farfallino"), Giovanni Carestini, and Luigi Marchesi. From 1798 when Rome came under French rule, women began appearing on the theatre's stage—the first one was the soprano Teresa Bertinotti.