Castello di Agazzano

History

The origins of the fortified complex date back to the 13th century at the behest of Giovanni Scotti, who made Agazzano the center of his family's holdings.

In the 14th century there was an increase in the power of the Scotti family, which had built its fortune on mercantile trades, through a company, the Societas Scotorum that reached the main marketplaces of Europe and the Near and Middle East from Genoa. The increase in family power allowed the parallel increase in the importance of the center of Agazzano, the small capital of the fiefdom, which never became an important center politically due to its decentralized location. At the beginning of the century Giovanni's son, Alberto Scotti, who was also able to become lord of Piacenza and, for a short time, Milan, had the construction work completed.

In September 1412, the castle, along with several other properties owned by the Scotti family including the castle of Sarmato and the fiefdom of Castel San Giovanni, was confiscated from brothers Alberto Pietro and Giovanni Scotti by the Duke of Milan Filippo Maria Visconti and assigned to Bartolomeo and Filippo Arcelli, who had accused the Scotti family of being part of an anti-Visconti rebellion, strongly opposed by the Arcelli family, who held several properties in the nearby val Tidone.

Three years later, the Scotti brothers succeeded in proving their innocence of the charges brought by the Arcelli family by regaining their fiefs. However, these did not include the castle of Agazzano, which had become part of the Figliagaddi family's property. It was repurchased by Count Alberto Scotti in July 1431.

The actual reconstruction of the complex dates back to 1475, when the Scotti family, after a fire had severely damaged the medieval castle, initiated the construction of a complex for defensive purposes consisting of two adjoining buildings: the castle and the fortress. The works brought the appearance of the complex towards a purely Renaissance style, attentive to the dictates of aesthetics, softening the typically military characters. In this period, the Scotti family joined the Gonzaga family through the marriage of the Count of Vigoleno Giovanni Maria Scotti with Luigia Gonzaga of Novellara, as evidenced by the presence within the complex of the symbols of both houses. …

Structure

The appearance of the fortress dates back to 1475, when it was rebuilt after a fire had heavily damaged it. It presents a combination of elements belonging to a typically medieval defensive military architecture with elements with distinct Renaissance residential characteristics. Originally surrounded by a moat following eighteenth-century modifications, the fortress is surrounded by a garden. It has a rectangular structure bordered by scarped walls decorated with a transverse marcapiano. Of the four round corner towers originally present, only the two overlooking the entrance facade remain.

Access to the fortress is allowed through a ravelin that was equipped with a drawbridge (its stonework remains visible), which was later replaced by a masonry entrance. A second ravelin was placed on the opposite facade in the direction of the body called the castle, later replaced during the 18th century by the villa. The inner courtyard, equipped with a well of hexagonal shape placed in a edicola, has on three sides out of four a loggia with a cross vault accessed from the entrance via two flights of stairs. The fourth side, built towards the end of the Renaissance, housed the living quarters of the castle's military garrison and has lounges with fireplaces and kitchens in excellent condition. A staircase located in the courtyard leads to a passageway that, legend has it, would allow one to reach the castle of Lisignano, located on the other bank of the Luretta River in the territory of the municipality of Gazzola.

Access to the villa is made through a French style gate, typical of the 18th century, which allows access to a U-shaped courtyard equipped with porch on three out of four sides, while the facade has a neoclassical architecture style. The interior features a series of landscape-decorated halls on the ground floor equipped with furniture dating back to the 18th and 19th centuries.

Inside the dining room is a collection of ceramics of different production, including antique Savona, Vecchia Lodi and Japanese, as well as some Maissen and Sèvres porcelain. In the same room, there is also a billiard table equipped with a scoreboard dating back to the seventeenth century. …